White background. Near-white surface. Mid-gray text (#4D4D4D) that's softer than black, creating a gallery atmosphere where nothing feels harsh. The inverted muted text (#121212, darker than the primary text) is an unusual choice that adds density to secondary information. Tags, metadata, and details feel substantial.

Inter at 400 for headings with an unusually specific body weight of 420. That's not a standard weight. It's fractionally heavier than regular, creating body text that's subtly more present without being semibold. You feel the difference more than you see it. It's the typographic equivalent of a gallery using slightly heavier stock for its wall labels.

The negative letter-spacing on headings (-0.21px) is minimal. Just enough tightening to feel intentional. At a compact 15px base, the whole system reads small and precise. Like the object label next to a painting. Not the painting itself. The design serves the content it contains.

No shadows. No depth effects. Pure flat gallery design. Elements exist through their borders and spacing alone. The scale hover effect is the only dimensional feedback, growing elements slightly on interaction. That restraint is critical. In a gallery, the walls shouldn't call attention to themselves. The art should. Smooth motion speed keeps interactions clean and professional.